Where The Ruby Road Actually Began

Every author gets asked where an idea came from, and the honest answer is almost always messier than the version that ends up in interviews. Here's the real one: a wagon, a box, and a question I couldn't put down.

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What a Kansas Farm Actually Sounds Like

I spent more hours than I'll admit researching rooster schedules and pig-pen etiquette. None of it was wasted — most of it just hides quietly behind one line of dialogue.

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Writing a Villain Who Had a Long Time to Plan

The hardest part of bringing back a classic antagonist wasn't making her scary. It was making her patient — and patience, it turns out, is much scarier.

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Jewel Isn't Dorothy, and That Was the Point

A reader asked me recently why Jewel doesn't act more like the girl from the story everyone already knows. Short answer: because a hundred years passed, and so did she.

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On Writing the First Draft in Longhand

I didn't type a single word of this book until the second draft. Here's what slowing down on purpose taught me about Jewel's voice.

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